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Image: A member of the Rainbow Myriads at ‘Indigenous Futurism,’ Orlando Museum of Art, June 6 2019 – PHOTO BY MATT KELLER LEHMAN FOR ORLANDO WEEKLY
From the Pages of Orlando Weekly

From the Pages of Orlando Weekly: Orlando’s Black Art Scene

With last week’s Juneteenth celebration in the rearview, it’s time to talk about what goes on with Orlando’s Black artists year-round. In early June a group of young Black artists took over the Orlando Museum of Art’s 1st Thursdays party. “Indigenous Futurism” celebrated the African origins of human existence with a mix of old and new art forms: traditional African drummers played alongside producers with MPC beat machines and a modern-dance invocation of ancient spirits. This group, the Mercury Collective, also hosts a recurring jam session at the Wells’ Built Museum in Parramore. The idea is to connect art, music, and history in one of the few remaining African-American landmarks in Orlando. Elizabeth Thompson is the executive director of Wells’ …
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Image: New Generation” by Elizabeth Catlett
From the Pages of Orlando Weekly

Dual-location exhibition portrays scenes of the African American experience

Too often art by what we refer to as “minorities” is forced to bear a double weight. We expect it to be not just beautiful, but also educational. Under that expectation, looking at art by women, people of color, disabled people and other artists in marginalized communities can then feel more preachy than pleasurable. Without leaving meaning or history behind, the show currently co-located at the Crealdé School of Art and the Hannibal Square Heritage Center is a pleasure to take in. Vibrant Vision is a selection of works by 20th-century African American artists drawn from the collection of Charleston painter Jonathan Green. Barbara Tiffany, Crealdé’s exhibitions curator, has chosen 26 works, some that “told profound stories about the artists …
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